ํ™ฉ์ •ํฌ  HWANG Jeong hee


Where the feeble lines live


2023. 3. 1 (wed) ~ 3. 29 (wed)

the surface 1, Acrylic colors on canvas, 130x162cm, 2019-2020
the surface 1, Acrylic colors on canvas, 130x162cm, 2019-2020
the surface 2, Acrylic colors on canvas, 60x60cm, 2021
the surface 2, Acrylic colors on canvas, 60x60cm, 2021
the surface 4, Acrylic colors on canvas, 65x53cm, 2022
the surface 4, Acrylic colors on canvas, 65x53cm, 2022
the feeble 6, Acrylic colors on canvas, 130x162cm, 2022
the feeble 6, Acrylic colors on canvas, 130x162cm, 2022
the feeble 5, Acrylic colors on canvas, 72.7x60.6cm, 2022
the feeble 5, Acrylic colors on canvas, 72.7x60.6cm, 2022
the feeble 4, Acrylic colors on canvas, 130x92cm, 2022
the feeble 4, Acrylic colors on canvas, 130x92cm, 2022

์ž‘๊ฐ€๋…ธํŠธ | Artist's statement



Where the feeble lines live
์—ฌ๋ฆฌํ•œ ์„ ็ทš๋“ค์ด ์‚ฌ๋Š” ๊ณณ



 ํšŒํ™”์ž‘์—…์„ ๊ฐ๊ด€์ ์ธ ๊ฐœ์ฒด๋กœ ๋ณด๊ณ , ๊ทธ ์ƒ๋กœ๋ณ‘์‚ฌ๋ฅผ ์ƒ๊ฐํ•  ๋•Œ, ๊ฐœ์ฒด์˜ ์ž์„ธํ•œ ๋ถ€๋ถ„๊นŒ์ง€ ์•Œ๊ณ  ์žˆ๋Š” ์ด๋Š” ๋ˆ„๊ตฌ์ผ๊นŒ. ์•„๋งˆ๋„, ๊ณผ๊ฑฐ๋กœ๋ถ€ํ„ฐ ํ˜„์žฌ๊นŒ์ง€์˜ ๋ชจ๋“  ๊ฒƒ์„ ํ•จ๊ป˜ ๊ฒฝํ—˜ํ•œ ์ž์‹ ์ด๋ผ๊ณ  ์ƒ๊ฐํ•œ๋‹ค. ํŒ๋‹จ์ด ์ •ํ™•ํ•ด์„œ๋ผ๊ธฐ๋ณด๋‹ค๋Š”, ์˜ค๋žœ ์‹œ๊ฐ„ ๋งŽ์€ ๊ฒƒ๋“ค์„ ๊ณต์œ ํ–ˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๊ทธ๋ž˜์„œ ์Šค์Šค๋กœ์˜ ์ž‘์—…, ์ข€ ๋” ์ •ํ™•ํžˆ๋Š” ๊ทธ ๊ณต๊ฐ„๊ณผ ์‹œ๊ฐ„์˜ 

๊ฒฝํ—˜๋“ค์— ๋Œ€ํ•ด ๊ธ€์„ ์“ฐ๊ณ , ๋น„๋ฌผ์งˆ(de-material)์˜ ๊ณต๊ฐ„์ด๋ฉด์„œ, ๋ณดํŽธ์ ์ธ ์†Œํ†ต์˜ ๋งค์ฒด(media)์ธ ๊ธ€(text)์„ ํšŒํ™”์ž‘์—…์˜ ์ผ๋ถ€๋ถ„์œผ๋กœ ์„ ํƒํ•œ๋‹ค.

 ‘The feeble lines survive between the colors’ ๋ผ๋Š” ๋ฌธ์žฅ์ด ๋– ์˜ค๋ฅผ ์ˆ˜๋ฐ–์— ์—†๋Š” ์ƒ‰๊ณผ ํ‘œ๋ฉด์˜ ์ž‘์—…์„ ์ง„ํ–‰ํ•˜๋ฉด์„œ, ์‹œ๊ฐ์ ์ธ ๊ฒƒ๊ณผ๋Š” ๊ฑฐ๋ฆฌ๋ฅผ ๋‘๊ฒŒ ๋˜์—ˆ๊ณ , 

๊ทธ๋ž˜์„œ ๊ทธ๋ฆผ์ด ์•„๋‹Œ ํšŒํ™”(non-pictorial picture of painting)๋ฅผ ์ง„ํ–‰ํ•˜์˜€๋‹ค. ๋ถ“์งˆ(brush stroke)๊ณผ ๋ฌผ์งˆ์˜ ๋ณ€ํ™”์— ๋งž๋‹ฅ๋œจ๋ฆฌ๊ณ , ์ฒ˜์Œ์˜ ๋ถ“์งˆ์ด ์ƒ‰์— ๋ฎ์—ฌ์ ธ์„œ ์—ฌ๋ฆฌํ•œ ์„ ์œผ๋กœ ๋‚จ๋Š” ๊ณผ์ •์—์„œ ์ธ๊ฐ„์˜ ์ƒ์กด์„ ๋ณด๋Š” ๋“ฏํ–ˆ๊ณ , ๊ทธ๋Ÿฌํ•œ ์€์œ ์ ์ธ ์ƒ์ƒ์ด ์•„๋งˆ๋„ ์ด ์ž‘์—…์˜ ๋งค๋ ฅ ์ค‘ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์ด ์•„๋‹ˆ์—ˆ๋‚˜ ์‹ถ๋‹ค. ๊ทธ๋ ‡๊ฒŒ ์ž‘์—…์„ ํ•˜๋‹ค ๋ณด๋‹ˆ, ๋งŽ์€ ์‹œ๊ฐ„, ๊ฒฐ๊ณผ๋ฌผ์„ ๋ณด๊ฒŒ ๋˜๊ณ , ๋ณด๋Š” ๊ฒƒ์„ ๋„ˆ๋จธ ์ง๋ฉดํ•˜๊ณ , ์ง๋ฉด์„ ์ง€๋‚˜ ๊ด€์กฐํ•˜๊ฒŒ ๋œ๋‹ค.
 ๊ธด์žฅ๋œ ์ง๋ฉด์˜ ๊ณผ์ • ํ›„, ๊ด€์กฐ์˜ ์ƒํ™ฉ์„ ๋งž๊ฒŒ ๋˜๋ฉด, ๊ฐ์ •์ด์ž…์ด ๋œ์–ด์ ธ์„œ ๋ช…ํ™•ํ•œ ์ธ์‹์œผ๋กœ ํ๋ฅธ๋‹ค. ๊ณผ๊ฑฐ ๊ทธ ์‹œ์ ์—์„œ๋Š” ๋‘˜๋Ÿฌ์‹ธ์—ฌ์ง„ ์ƒํ™ฉ์ด ๋ฌด์—‡์ธ๊ฐ€๋ฅผ ๋šซ๊ณ  ์ง€๋‚˜๊ฐ€์•ผํ•˜๋Š” ํ„ฐ๋„๊ฐ™์ด ๋Š๊ปด์กŒ๊ณ , ๊ทธ๊ณณ์—์„œ ์ƒ์กดํ•ด์•ผ ์กด์žฌ๊ฐ์„ ๊ฐ–๋Š” ๋“ฏ ํ–ˆ์ง€๋งŒ, ํ˜„์žฌ์˜ ์‹œ์ ์—์„œ ์ƒ๊ฐํ•ด๋ณด๋ฉด ํ„ฐ๋„๋„ ์•„๋‹ˆ์—ˆ๊ณ , ๋šซ์„ ๊ฒƒ๋„ ์—†์—ˆ๋‹ค๋Š” ์ƒ๊ฐ์ด๋‹ค. 

์„ ๊ณผ ์ปฌ๋Ÿฌ์˜ ํ‘œ๋ฉด์ด ์–ด๋Š ์ˆœ๊ฐ„๋ถ€ํ„ฐ ๊ทธ๋ ‡๊ฒŒ ๋Š๊ปด์กŒ๋‹ค. ๊ณผ์ •์—์„œ ์ผ์–ด๋‚  ์ˆ˜๋ฐ–์— ์—†๋Š” ์ผ๋“ค์ด์—ˆ๊ณ , ์ƒ‰์ด ๋ฎ์—ฌ์ ธ์•ผ ์„ ์ด ์ƒ๊ธฐ๋Š” ๊ฒƒ์ด๊ณ , ์ƒ‰์˜ ํ‘œ๋ฉด์ด ์ƒ๊ธฐ๋Š” ๊ฑฐ์˜€๋‹ค. ๋ฌด์—‡์ธ๊ฐ€ ๊ณ„์† ๋œ๋‹ค๋ฉด ์ผ์–ด๋‚˜์•ผ ํ•  ์ผ๋“ค์ด ์žˆ๊ณ , ์ฒ˜์Œ์˜ ๋ถ“์งˆ์„ ๊ทธ๋ƒฅ ๋‘˜ ์ˆ˜ ์—†์—ˆ๊ธฐ์— ์ƒ‰์ด ๋ฎ์—ฌ์ง„๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ฎ์—ฌ์ง„ ์ƒ‰์˜ ํ‘œ๋ฉด์€ ๊ณต๊ฐ„์ด ๋˜์–ด ์„ ์„ ์›€์ง์ด๊ณ , ์„ ์„ ์กด์žฌํ•˜๊ฒŒ ํ•œ๋‹ค. ํ‘œ๋ฉด์˜ ๋Œ€๋ถ€๋ถ„์„ ์ฐจ์ง€ํ•˜๋Š” ๊ณต๊ฐ„์ด ๊ถ๊ทน์ ์œผ๋กœ ๋‚จ๊ฒจ์ง„ ์„ ์„ ๋งŒ๋“ค๊ณ , ์„ ์˜ ๋Š๋‚Œ์„ ๋”์šฑ ๋ถ„๋ช…ํ•˜๊ฒŒ ํ•˜๋ฉฐ, ์„ฑ๊ฒฉ์„ ๊ฒฐ์ •ํ•œ๋‹ค.

 ์ด์ œ, ์„ ์ด ์ƒ์กดํ•˜๋Š” ๊ณต๊ฐ„์ด ์•„๋‹ˆ๋ผ, ์„ ์„ ์‚ด๋ฆฌ๋Š” ๊ณต๊ฐ„, ์„ ๊ณผ ํ•จ๊ป˜ํ•˜๋Š” ๊ณต๊ฐ„์ด ๋œ๋‹ค. ์ž์—ฐ์Šค๋ ˆ ๊ณต๊ฐ„์„ ๋งŒ๋“œ๋Š” ํ‘œ๋ฉด์— ๋Œ€ํ•œ ๊ด€์‹ฌ์œผ๋กœ ์ด์–ด์ง€๊ณ , ์ด ์ง€์ ์œผ๋กœ ์ข€ ๋” ๊นŠ๊ฒŒ ๋“ค์–ด๊ฐ€๊ณ ์ž ํ•˜๋ฉฐ, ์ด๋ฅผ ์œ„ํ•œ ๋งค๊ฐœ์ฒด(media)๋Š” ์ปฌ๋Ÿฌ์ด๋‹ค. ์ปฌ๋Ÿฌ๋ฅผ ํ†ตํ•ด ๋ฌผ์งˆ๊ฐ(materiality)์„ ํš๋“ํ•˜๊ณ , ์ด‰๊ฐ(the tactile)์„ ์‹คํ—˜ํ•˜๋ฉฐ, ์ œ์Šค์ณ(gesture)๋ฅผ ๋‚จ๊ธฐ๊ณ , ํ‘œ๋ฉด๊ณผ์˜ ์ƒํ˜ธ์ž‘์šฉ(interaction)์„ ๊ฒฝํ—˜ํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด ๋ชจ๋“  ๊ฒƒ๋“ค ์—ญ์‹œ ๊ฐ์ž์˜ ๊ฐœ์ธ์ด ์‚ด์•„๊ฐ€๋Š” ํ™˜๊ฒฝ๊ณผ ์ƒํ™ฉ์„ ์•”์‹œํ•œ๋‹ค. ๊ฒฐ๊ณผ๋กœ ๋ณด๋‹ˆ, ์ง€๋‚œ ๋ฒˆ ์ฃผ์ œ๊ฐ€ ๊ธฐ๋ณธ์ ์ธ ์š”์†Œ(primary element), ์„ (line)์— ๋Œ€ํ•œ ์ ‘๊ทผ์ด์—ˆ๋‹ค๋ฉด, ์ด๋ฒˆ์—๋Š” ๋„ˆ๋ฌด๋‚˜๋„ ์ต์ˆ™ํ•˜๊ฒŒ ๊ทธ๋ฆฌ๊ณ  ๋‹น์—ฐํžˆ ์ ‘ํ•ด์™”๋˜ ์ปฌ๋Ÿฌ์— ๋Œ€ํ•œ ๊ทธ๋™์•ˆ์˜ ๊ฒฝํ—˜๊ณผ ์ƒ๊ฐ์˜ ์ •๋ฆฌ์ด๋‹ค. ์ด ๊ณผ์ •์—์„œ ์„ ํƒํ•œ ์ƒ‰๊ณผ ํ‘œ๋ฉด์— ๋Œ€ํ•œ ์ฃผ์ œ๊ฐ€ ์ด๋ฒˆ ์ „์‹œ์˜ ์ œ๋ชฉ, ‘์—ฌ๋ฆฌํ•œ ์„ ็ทš๋“ค์ด ์‚ฌ๋Š” ๊ณณ Where the feeble lines live’์ด๋‹ค. 


 ๋ง๋ถ™์—ฌ์„œ, ์ด๋Ÿฌํ•œ ํ๋ฆ„์— ๋”ฐ๋ฅด๋Š” ์ผ์€ ๋ณ€ํ™”๋ฅผ ๋ฐ›์•„๋“ค์ด๊ณ , ์„ ํƒํ•˜๋ฉฐ ๊ฒฝํ—˜ํ•˜๋Š” ์‹ค์žฌ์˜ ์‚ถ๊ณผ ํก์‚ฌํ•˜๊ณ , ํ˜„ ์‹œ์ ์—์„œ ์ „๊ฐœ์˜ ์†๋„๋ฅผ ๋‚ด๊ณ  ์‹ถ์€ ์š•๊ตฌ์™€ ๊ฒฐํ•ฉ๋˜์–ด ๋‹ค์–‘ํ•œ ์–‘์ƒ์œผ๋กœ ๋‚˜ํƒ€๋‚œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด ์—ญ์‹œ ์ž์—ฐ์Šค๋Ÿฌ์šด ๋ณ€ํ™”๋ผ๊ณ  ๋ณธ๋‹ค.

ํ™ฉ์ •ํฌ ์ž‘๊ฐ€๋…ธํŠธ ์ค‘ 



โ–  ํ™ฉ์ •ํฌ | WHANG Jeong hee

2011 ํ™์ต๋Œ€ํ•™๊ต ์ผ๋ฐ˜๋Œ€ํ•™์› ๋ฏธ์ˆ ํ•™๊ณผ ๋ฐ•์‚ฌํ•™์œ„ ์ทจ๋“
1999 ํ™์ต๋Œ€ํ•™๊ต ์ผ๋ฐ˜๋Œ€ํ•™์› ๋ฏธ์ˆ ํ•™๊ณผ ๋ฐ•์‚ฌ์ž…ํ•™
1998 ํ™์ต๋Œ€ํ•™๊ต ์ผ๋ฐ˜๋Œ€ํ•™์› ํšŒํ™”๊ณผ ์กธ์—…
1996 ํ™์ต๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๋Œ€ํ•™ ํšŒํ™”๊ณผ ์กธ์—…
1992 ์„œ์šธ์˜ˆ์ˆ ๊ณ ๋“ฑํ•™๊ต ์กธ์—…

โ–  ๊ฐœ์ธ์ „
2023 Where the feeble lines live (๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€๋น„, ์„œ์šธ)
2022 Feeble lines survive between the Colors (์•„ํŠธ์ŠคํŽ˜์ด์ŠคJ, ๋ถ„๋‹น)
2019 Feeble lines try to survive under the colors (๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€๋น„, ์„œ์šธ)
2014 Color Code (๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€๋น„, ์„œ์šธ)
2013 Casual Look (๋„์˜ฌ ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ)
         ํ™ฉ์ •ํฌ ๊ฐœ์ธ์ „ (๋จธํ์–ด ์•ฐ๋ฐฐ์„œ๋” ์„œ์šธ)
์™ธ ๋‹ค์ˆ˜

โ–  ๋‹จ์ฒด์ „ / ์•„ํŠธํŽ˜์–ด
2021 ํ™”๋ž‘๋ฏธ์ˆ ์ œ (์ฝ”์—‘์Šค, ๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€๋น„)
2020 ํ™”๋ž‘๋ฏธ์ˆ ์ œ (์ฝ”์—‘์Šค, ๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€๋น„)
2018 KIAF (์ฝ”์—‘์Šค, ๊ฐค๋Ÿฌ๋ฆฌ ๊ฐ€๋น„)
         ํ™”๋ž‘๋ฏธ์ˆ ์ œ (์ฝ”์—‘์Šค, ๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€๋น„)
2014 ์‹ฑ๊ฐ€ํด ํ˜ธํ…” ์•„ํŠธํŽ˜์–ด (Conrad Centennial Singapore)
          Pop up ์ „ (๋ ˆ์ง€๋‚˜๊ฐค๋Ÿฌ๋ฆฌ)
์™ธ ๋‹ค์ˆ˜

โ–  ๋ ˆ์ง€๋˜์‹œ
Vermont Studio Center (USA), 2013
Fellowship Award from VSC

โ–  ๊ต์œก๊ฒฝ๋ ฅ
ํ™์ต๋Œ€ํ•™๊ต, ์šธ์‚ฐ๋Œ€ํ•™๊ต, ์ „์ฃผ๋Œ€ํ•™๊ต, ์„œ๋‚จ๋Œ€ํ•™๊ต
CheongShim International Academy
์ฒญ์‹ฌ๊ตญ์ œ์ค‘๊ณ ๋“ฑํ•™๊ต ๋ฏธ์ˆ ๊ต์‚ฌ ์žฌ์ง (2006~)